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The Saga Surrounding R Kelly Continues 

 

By Jessa J.L. Jansen 

Staff Writer - The Boom Bap Hour Uncut

Earlier last month, authorities raided a storage unit owned by R. Kelly and seized around 100 devices like video cameras, Apple iPads, hard drives, computers, and cell phones (2). Information about the raid was released during an arraignment for an indictment filed last month, adding additional allegations of his involvement with a minor (1).  

Kelly’s defense team offered that the search took place at a storage facility near O’Hare Airport that had already been raided prior while criticizing the ongoing allegations from the government (4). Kelly’s attorney Steve Greenberg stated that he doesn't believe investigators will find “anything incriminating ” reported the Chicago Sun-Times (3). 

The jailed singer could face additional charges following the carrying out of the search warrant for the storage unit prosecutors alleged in court this week (3). With everything that is presently surrounding his course case, the prosecution is hoping to find additional discriminating evidence pointing to the award-winning singer’s alleged pedophilia (2). In addition to the string of new allegations referred to in the indictment as "Minor 6,” it has been revealed that the new trial will now be postponed from April 27 to October 13, giving prosecutors more time to investigate the electronic devices that were found in Kelly's storage unit (6).  

R. Kelly is still facing trial in Brooklyn beginning July 7, and presently remains behind bars having been locked away for almost a year on the original 13-count federal indictment (2).  

Meisner, Jason. “Feds Seize 100 Electronic Devices in R. Kelly Probe, Delaying Upcoming Sex Abuse Trial in Chicago.” Chicagotribune.com, Chicago Tribune, 5 Mar. 2020, www.chicagotribune.com/news/criminal-justice/ct-r-kelly-plea-federal-charges-20200305-543r4ests5ae7obto47iplly7i-story.html. 

NDSmith. “What Do You Think They Found on the Almost 100 Electronics They Swiped from R. Kelly's Storage Unit?” The Source, 6 Mar. 2020, thesource.com/2020/03/06/100-electronics-r-kelly-storage/. 

Meisner, Jason. “Feds Seize 100 Electronic Devices in R. Kelly Probe, Delaying Upcoming Sex Abuse Trial in Chicago.” Chicagotribune.com, Chicago Tribune, 5 Mar. 2020, www.chicagotribune.com/news/criminal-justice/ct-r-kelly-plea-federal-charges-20200305-543r4ests5ae7obto47iplly7i-story.html. 

Pruitt, Sharon L. “R. Kelly To Face Additional Charges After Recovery Of More Than 100 Electronic Devices During Search, Prosecutors Say.” Oxygen Official Site, Oxygen Official Site, 6 Mar. 2020, www.oxygen.com/crime-news/r-kelly-more-charges-after-device-discovery?amp.  

Seidel, Jon. “Feds Recover More than 100 Electronic Devices, Including Cellphones and Hard Drives, in R. Kelly Case.” Times, Chicago Sun-Times, 5 Mar. 2020, chicago.suntimes.com/crime/2020/3/5/21166189/r-kelly-arraignment-new-federal-charges-chicago. 

Zidel, Alex. “R. Kelly Trial Postponed.” HotNewHipHop, HotNewHipHop, 6 Mar. 2020, www.hotnewhiphop.com/r-kelly-trial-postponed-news.105612.html?_amp.

04/04/2020

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in Music, Lifestyle

Current Women in Hip Hop 

By Kayla Williams 

Staff Writer - The Boom Bap Hour Uncut

 

Modern Feminism in Hip Hop 

“I really cannot wrap my head around the fact it's 

Taken me this long to finally realize I'm fantastic 

I used to write my little raps 

They'd always look right past it 

Like it's average” 

Mexican- American rapper Snow Tha Product rapped these lyrics (from the song Bilingue) last year. These lyrics voice her frustrations of being a woman in the hip hop industry. She feels as if she is overlooked by big players in the field because she is female, even though she has delivered great lyrics, performances, and deserves to be taken seriously as an artist. 

Unfortunately hip hop and the music industry are still riddled with sexism. In spite of this, women are persevering and paving the way for others as they have been succeeding in the genre of hip hop as of late.  Last year’s charts reflected the highest total number of female hip hop artists making their mark on the Billboard Hot 100 during this decade. Saweetie, Iggy Azalea, Cardi B, Megan Thee Stallion, Nicki Minaj, Lizzo and City Girls all had songs topping the charts last year. On top of this, Lizzo also impressively became the sixth woman rapper to ever hit the No. 1 slot, and the first to do so in two years. Her single “Truth Hurts” officially became the longest-reigning Number 1 single performed by a female rapper without any features in the chart’s history (Orcutt). 

Not only is there a place for women in the industry as successful hip hop artists; women have also begun to show their sexuality in a positive light and use it to empower themselves as well as other women. A new wave of feminism has emerged through modern day hip hop artists’ music and images. These women have used their social media platforms to educate young women and speak about important issues like colorism, sexism, politics, and above all to stand together. They have also shown women as sexy, powerful, and desirable through their music videos and lyrics. Take for example, Texas rapper Megan Thee Stallion, who was the first female to be signed to 300 Entertainment’s record label. Megan Thee Stallion is known for her confidence, sensuality, and explicit lyrics. She presents this throughout her lyrics, videos, and live performances. In an interview with Pitchfork she stated, "It's not just about being sexy, it's about confidence and me being confident in my sexuality." 

A large part of Megan’s appeal is that in her music, she raps as a dominant alpha male. Her song, Cash Sh*t , emphasizes her  position of power in a relationship with a man. She raps that to be romantically involved with her, a man has to understand that she is in charge. Lyrics like, “Yeah, that's my dawg, he gon' sit down and listen. Call him a trick and he don't get offended”, portray her as a female pimp.  This goes against the status quo of the typical gender dynamic in hip hop. Often male hip hop artists depict themselves as pimps in their songs or compare their lifestyle to that of a pimp (since pimps are seen as successful, powerful figures). The pimp is often used as a metaphor in rap lyrics, however female rappers like Megan are flipping the script and putting themselves in the position of power. In Cash Sh*t Megan raps, 

“He know he giving his money to Megan 

He know it's very expensive to date me 

Told him go put my name on that account 

Because when I need money, I ain't tryna, hold up,” 

Megan has also been very vocal about her journey through college (which she is currently enrolled in) and has encouraged her listeners (who are in college), to do well during the school semester. Megan Thee Stallion studies health administration and is also becoming involved in her community by helping to foster better assisted-living facilities in her hometown of Houston, Texas. She popularized the phrase “Hot Girl Summer” and then wished her fans a “Hot Girl Semester”, promoting the idea that women can be sexy and have fun while partying in college, but can also be focused and successful in furthering their education.  

In the past women who danced in hip hop videos were looked down upon and referred to as “video hoes”, but this viewpoint reflects negatively on strippers, who they are often compared to.  Many do not understand or realize that some women dancers and artists in hip hop perpetuate this stereotype and present themselves this way purposefully. Some enjoy flaunting their sensuality and actually use it to promote feminism as well as for their own financial gain. More female artists who once performed as strippers are coming into fame and shedding light on their pasts. Record breaking rapper, Cardi B has spoken about her past experiences as a stripper and is not ashamed of her previous career. She has embraced her sexuality and referenced her past in music videos, lyrics, and live performances.  

Cardi has advocated for exotic dancers and strippers, stating in an interview with Cosmo that she is honest about her past to ensure that people remember where she came from and to hopefully get them to respect her and her past experiences. She also urges people of all genders, to understand that women who strip need to be respected. Cardi points out that just because she was once a stripper, that doesn't mean that she is uneducated. She had gone to college, but did not complete her degree.  She still has strong opinions about important topics such as police brutality, politics, and the Me Too movement, and these opinions should not be ignored or trivialized because of society’s view on overly sexual women. Cardi’s openness about her past brings up the discussion about sex workers, and the stigma that surrounds sex work as a whole. Women who participate in this trade are immediately looked down upon; their feelings are invalidated, their intelligence is questioned, and their voices are silenced. 

In addition to breaking stereotypes, we have also started to see an influx of positivity and inspiration amongst female rappers. There have been many posts and positive comments made by women about other women in the industry. In July, Cardi B took to social media to shout out Rapsody, Tierra Whack, Kamaiyah, and Chika as a few lyrical rappers who deserve more recognition in the game. Rihanna tweeted last year that she would love to collaborate with Lizzo and called her “so bad*ss”.  This is an indication of how more female hip hop artists are coming together to collaborate as well. In August of last year Megan thee Stallion and Nicki Manji released Hot Girl Summer, and a few months prior, Cardi B and City Girls teamed up for Twerk. 

There is definitely still room for improvement from male artists, who should be encouraging their female counterparts. Although men rap about sex, their status, and their riches; they criticize women when they do the same thing. A prime example of this is when hip hop producer Jermaine Duprii created a major controversy in the music industry last summer after he shaded some of today’s top female rappers. In an interview with People, he called out Cardi B, Nicki Minaj, and Meghan Thee Stallion, when asked how he felt about them. “I can’t really say, I feel they’re all rapping about the same thing. I don’t think they’re showing us who’s the best rapper. For me, it’s like strippers rapping and as far as rap goes I’m not getting who’s the best,” he responded. Not only is his comment sexist, it is also untrue. Of the women mentioned, Cardi is the only one who ever worked as a stripper.  

Jermaine clarified that his remarks were aimed only at the artists he was asked about (Nicki, Cardi, and Megan) -- and made a point to say that his statement was not meant to be a blanket label on all female rappers. He also argued against claims that he's sexist, saying nothing is further from the truth (Robidoux and Weakland). Yet lumping Megan Thee Stallion, Cardi B, and Nicki Manji, together because of their sexual lyrics does exactly that. All three women are have different flows and styles, and they make different types of rap music. Such statements by males artists, producers and the media minimize the achievements and progress women have made in the music industry.   

Attitudes like Dupri’s further promote misogyny in hip hop and prove yet again that it is extremely difficult for women to succeed. It’s a double standard to believe that women should not rap about sex or be sexual, but it is acceptable for their male counterparts to do so. Dupri does not call out male artists for doing the same thing or state that there is a problem with male rap artists “rapping about the same things all the time”.  He also belittles women who work as strippers by implying that, because they take their clothes off for a living they don’t possess any musical talent or have skill sets outside of sex work. To make matters worse, he also groups all female rappers together, even those who do not choose to express their sexuality, although he later claimed that was not his intention.  

In response, Cardi B posted an Instagram video in which she states that raunchy lyrics are what audiences respond to. "It seems that's what people want to hear," she explained. "When I did 'Be Careful,' people we're talking mad sh*t in the beginning. If that's what people ain't trying to hear, then alright," (Saponara). 

There is still much work to do, as sexism is embedded into many aspects of life, but hip hop (or any music genre) should not be excused from its partaking in furthering misogynistic views even though women are proving beyond a shadow of a doubt that they can keep up in this male dominated field. 

Works Cited 

Arceneaux, Michael. “The Obsession With Cardi B's Stripper Days Is Boring And She Deserves Better.” Essence, Essence, 25 Apr. 2018, www.essence.com/culture/cardi-b-stripper-past-hyper-sexualization-female-rappers/. 

Hernandez, Emma. “Cardi B Opens up About Her Stripping Days and Her #MeToo Moment.” Life & Style, Life & Style, 3 Apr. 2018, www.lifeandstylemag.com/posts/cardi-b-stripping-me-too-movement-156306/. 

Orcutt, KC. “Each One, Teach One: What Generations of Women in Hip Hop Teach Us about Perseverance.” REVOLT, REVOLT, 16 Oct. 2019, www.revolt.tv/2019/10/16/20917629/women-in-hip-hop-lessons. 

Robidoux, Brandy. “Jermaine Dupri Defends His 'Strippers Rapping' Comment That Sparked Backlash From Cardi B.” Hollywood Life, Hollywood Life, 22 July 2019, hollywoodlife.com/2019/07/22/jermaine-dupri-defends-comments-strippers-rapping-interview/. 

Saponara, Michael. “Cardi B Urges Fans to Support Female MCs Who Don't Rap About Sex.” Billboard, Billboard, 12 July 2019, www.billboard.com/articles/columns/hip-hop/8519631/cardi-b-support-female-mc-dont-rap-about-sex.

03/11/2020

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"The Motto" Song Analysis 

By Kayla Williams

Staff Writer - The Boom Bap Hour Uncut

The Motto by Drake featuring Lil Wayne, is a fun upbeat rap song with pop and trap elements. The song promotes the idea of living life to the fullest because “you only live once”. The song was released in 2012, when the phrase YOLO had taken over the internet by storm. Drake was smart to play up this trend, by centering his lyrics around the word. However, the song mainly promotes Drake and Wayne’s “rap” lifestyles which are full of riches, cars, and expensive luxuries. The average person does not have access to these things or this way of living so the phrase you only live once, in this sense, does not apply to most people. The lyrics do perpetuate the idea that having lots of money means you made it (which is true in a sense). I think Drake chose to market this song to young people (as the phrase was used primarily by kids and teenagers), and his lyrics plant the idea of wanting to live the rap lifestyle in these young minds. Drake raps that people pretend they know him (because of his money), that he’s sitting on 25 mil (meaning that this large amount of money is minuscule in the grand scheme of all his riches), and that because he is rich, girls love him.  

This is a popular theme in many hip hop songs, the artist celebrates their wealth and success by rapping about it. This has caused academics and critics to criticize hip hop music for promoting consumerism and “making” listeners of hip hop crave a similar lifestyle to that of the artist. I think that this theme within the genre is both positive and negative. It is great that hip hop has been able to make artists successful, especially because hip hop was originally not taken seriously and wasn’t even recorded in studios. Many rappers come from the same ghettos hip hop was created in, and it is an amazing feat that these people are able to rely on their talent and become millionaires.  

Sonically, the instrumental of the song is great. It’s complex but simple at the same time. The 808 kick drum is on the low-end frequency, which makes it sound heavy and punchy. It helps fill up the bassline. This type of kick drum is common in trap music and here it seems to be layered with a bass like synth. It is most likely side chained (a production technique where one sound triggers another), because the bass is loud but when the kick is playing its lower in volume, which allows the kick to cut through the mix. The layering of bass and kick drum has been introduced in hip hop music through Trap music. Trap samples originate from the TR-808 Drum machine. The genre also commonly uses loud and heavy aggressive synths sounds that represent the background of the south (where trap music originated). Both the kick drum and bass are positioned in the center of the mix. A loud snappy, rhythmic snare drum can be heard in the mix. There is a clap sound layered with this drum, which gives it a sharper sound. The song has two types of claps mixed in with the drum sounds. The main clap is on every other beat of the song. It’s sharp and loud clap that most likely has been reverbed to sound that way, and is panned to mid left of the mix. The second clap is alternating, it sounds automated with a panning effect that moves the sound from left to right in the mix. The second clap has a sort of dirty sounding effect,which keeps true to the style of Trap music. The clap also has reverb and delay used on it. The clap is low( in volume) which helps ensure that Drake and Lil Wayne’s lead vocals are positioned in the center with a medium volume level that keeps them well blended in the mix. The panning effect is used again in the backing vocals of the song which are panned to the left and the right in the stereo field.The background vocals have a cool effect on them where they sound as if they’re coming from a telephone. The high and low frequencies were probably cut out in order to achieve this. There backing vocals and bit of the lead vocals have a delayed effect on them, which makes the backings repeat with echoes bouncing around in the background of the mix. 

Although the song was released nearly eight years ago,  The Motto is still a happy song that doesn’t stray far from pop tracks, therefore making it appeal to the young audience it was intended for. It’s a great throwback, as a twenty year old, it reminded me of middle school days of dances in the gym and going to the mall with my friends. The song represents a primetime in the internet age, in 2012 the word YOLO was everywhere mainstream: on tv shows, on tee shirts, and used a hashtag constantly. The Motto is definitely worth a relisten if you have the chance.

03/11/2020

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The Power of Privacy 

By Bria Jackson 

Staff Writer - The Boom Bap Hour Uncut

 

Just yesterday everyone learned that upcoming rapper, Bashar Barakah Jackson, or Pop Smoke to most, died from being shot during a home robbery. What was even more shocking was that a lot of us were just finding out who Pop Smoke even was. I know I just learned of him last week. He was twenty years old from Brooklyn, New York. I kept hearing his song Dior, thinking it was Desiigner because of how deep and unique his voice was but I learned quickly they were two different people.  

I’ve been trying to avoid social media lately because of Kobe and Gianna, then there was Ja’Net Dubois and Esther Scott (two phenomenal women many of us grew up watching) and there was also Fort Valley State University student, Anitra Gunn, who’s body was found after she went missing on Valentine’s Day. I’ve been blessed at 24 years old have not had to deal with any death super close to me, so it’s not something I typically think about. So in addition to not being used to that, I really couldn’t handle getting on social media as much these past few days, or at least not Twitter. 

One of the few times I did end up getting on social media, I noticed people on Instagram were beginning to play detective to what happened to Pop Smoke. What everyone knew so far was that some guys had found out where he lived. Before I continue any further, I want to make the topic of my article very clear. I am not a journalist telling the story of how Pop Smoke really died or what I think happened. Whether the facts that I know are true or not, I want to talk about how important it is to watch what information we are putting on the internet. 

To proceed, social media initially blamed Pop Smoke’s long-time friend, Mike Dee, for setting him up because he posted a picture that had part of the street number in the picture. The world can be so critical and cruel these days. Too many times do we jump and give unsolicited opinions without knowing all the facts. I knew people were in this man's comments being nasty. I mean, telling someone who just lost their best friend that they were the ones to set them up? It’s so cruel it’s not even funny. It’s sick. 

As more facts start unraveling, I think everyone came to the conclusion Pop Smoke may have accidentally put his own self in harm's way because of what he was posting on his story. What rapper isn’t out here posting their nice watches and stacks? Well, that’s exactly what he did as well and in one video where Pop Smoke is seen showing off what seems to be a bag, you can see a luggage tag that had his address on it. It can be assumed that this may be how the robbers got his exact address. 

We need to be careful about what we’re posting on the internet because we never know who is watching and we never know who is secretly envious. The world is not the safest place anymore, in my opinion. After a traumatizing incident I had with a guy once, I’ve learned to not even put my location on my stories/posts if I’m somewhere specific. I don’t let my followers know what I’m up to. There are some people that I don’t even let follow me; I will just go ahead and block them. I don’t do these things for any other reason except to keep my business private. People see you doing good and start feeling green instead of being happy that someone else from our community made it. I don’t think anybody should be trying to play “creator” and decide the fate of someone’s life. The universe doesn’t sweep actions like that under the rug. What amazes me is that people are willing to risk their entire freedom on a simple chance…the chance of possibly living off of what they robbed him for, for who knows how long, a few weeks? Months maybe? It’ll never be worth it. 

Nicki Minaj said it best in her caption as she sent her condolences to Pop Smoke, “The Bible tells us that jealousy is as cruel as the grave” and I don’t think there is a truer statement. I encourage everyone to stop putting locations on their every move, as in not putting every single restaurant you’ve gone to in a day. You’re literally leaving a trail for someone. Snapchat allows you to share your location or go ghost mode. The other day, my cousin asked me why was I ghost and I told her that Snapchat shows the exact location down to the street. For what purpose do my followers need that information? Even on Twitter, some people tweet with their location on and it will show what city; I keep all of that information turned off. Do not hesitate to block people that look fishy or have 0 mutual followers with you. I had to get onto one of my other cousins the other day because she always puts something like “Work the next 3 days *eye-rolling emoji*” on her story and I told her to stop because she doesn’t know who is watching her stories and picking up on her work schedule. And last but most importantly, keep social media out of your pockets!!! I can’t stress this enough. 

I understand social media has gotten to a point where we feel the need to constantly post our accomplishments and flaunt our newest purchases, but the point is, you can never be too safe because this world is a sick and evil place. It is completely okay to be private with your life. Pop Smoke didn’t do anything wrong but post on his story as we all do. I hope this is a message to remind everyone to pay more attention to the things we post and share on the internet. 

Rest in Peace.

 

02/21/2020

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End of Eminem? Nah. 

By Bria Jackson 

Staff Writer - The Boom Bap Hour Uncut 

I’m sure everyone has heard or at least seen, people talking about Eminem’s newest album “Music To Be Murdered.” Eminem has albums dating back all the way to 1996 and obviously sticks to the hip-hop genre with each one. He’s definitely no stranger to the hip-hop community, whether it be music or film. I’m twenty-four, so listening to Eminem in the early 2000s was amazing mainly because of how fast he could rap.  

I remember being in school at the cafeteria table and everybody crowded around to listen to the rap battle of the day; it wasn’t just about who could rap the best, it was also about who could rap the fastest and Eminem for sure set that bar. Now, of course, Eminem had a bit of competition on his hands when Twista introduced himself but, that’s another story for another day. I’ve always felt like Eminem was accepted in the hip-hop community, especially when Black Twitter officially invited him to the cookout. 

So, you can only imagine my surprise when I logged on Twitter and saw people bashing him and the hashtag #EminemIsCancelled circulating. Surprisingly, the “canceling” of Eminem was just a hashtag that got started by a bunch of Ariana Grande’s fans. They were upset about lyrics from the song “Unaccommodating” from his new album. The lyrics read, “But I’m contemplating yelling ‘bombs away’ on the game, like I’m outside of an Ariana Grande concert waiting.” For those out of the loop, Ariana had a concert in Manchester, UK in 2017 that ended in a terrorist bomb attack. 

I can definitely understand the sore spot these fans have for the victims and their families but fans of Eminem seem to think it wasn’t that deep. With tweets like, “Eminem has always been disrespectful” and “You are too sensitive if you’re offended” coming to the rescue, it doesn’t seem like Em has anything to worry about anytime soon. Not to mention, I actually listened to the album with god-mom who is a Generation X-er and he’s definitely still got it. He’ll always be remembered in the hip-hop community.

02/02/2020

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Open the Floodgates of Hip-Hop 

By Bria Jackson 

Staff Writer - The Boom Bap Hour Uncut 

Being born into a black household kind of gives you an automatic connection to hip-hop; like it’s just a part of our culture. About a year and a half ago I’d seen a tweet that was questioning who all these new “lil” rappers were and how they were appearing out of nowhere. When I say “lil” rappers, I’m referring to the fact that most of their names start with that: Lil Peep, Lil Pump, Lil Xan. They came out around the same time so I could never really keep with who was who. 

I initially found it a bit odd that there were a good bit of white guys that wanted to be rappers. Not to mention Tekashi Sixty-Nine, Post Malone and I’d even like to touch on Miley Cyrus a bit. I took the time to listen to each of their music to see if I really got a feel for any hip-hop vibes. Lil Xan’s music definitely gave me emo rap vibes and it wasn’t bad, just different. Lil Pump gives more of a hip-hop/rap vibe especially with his feature on Kanye’s song “I Love It”. His song “Gucci Gang” did numbers too as it was quite catchy. I’m not even going to sit here and act like I listen to Lil Xan. I did attempt to listen to one song but it just irritated me that we were even considering it rap. 

Then we have Tekashi 69 who rapped his way into our culture and became this “gangster” that people should fear. That reign didn’t last too long when he was arrested for a few gang-related charges. During this time, news outlets have stated that he has been cooperative with the feds and will most likely need witness protection if released. Oh the irony, especially with lyrics like “snitches get from around me.” I think this is what the OG rappers mean when they say rap about what’s true. 

Next, we have Post Malone who made a comment a few years back stating that if you’re “looking for lyrics” or “real sh*t” you basically won’t find it in hip-hop. Now I like some of Post Malone’s music but that comment definitely rubbed me the wrong way. Who gave you the credentials to tell us what hip-hop is? I just feel like that statement alone showed the mockery some of these new artists are making of hip-hop/rap. 

So with that being said, let’s get to Miley Cyrus. Around 2012/2013, Miley went through a bad breakup and changed her image a bit. She, too, took a dip into the pool of hip-hop. She hopped on tracks with Future, Juicy J, Wiz Khalifa, etc and when she returned to her senses(and coins), she referred to hip-hop as “lewd” and stated she couldn’t be apart of it anymore. 

I just sometimes get the feeling that particular artists come to hip-hop just to get their numbers up or to receive clout off of fans of rap. Whether their fame is short-lived or they go back to whatever genre they were originally in, you can always tell the passion isn’t there. They tell us, as black people, that we have to be twice as good just to see the same accomplishments/rewards other races reach with no effort. So should those same rules apply when reversed? Should we not expect them to be twice as good as our very own rappers?

02/02/2020

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New School, Old School and Emerging Styles of Hip Hop 

 

By Jason Callahan 

Staff Writer - The Boom Bap Hour Uncut 

Growing up in the ’80s and '90s, we had some very genuine sounds that left a very big impression. Many of the Hip Hop artists of that era had fun songs, and the beats were so hard to get out of your head. In the mid and late ‘90s, Hip Hop began to incorporate more violence, degrading the opposite sex, talking about drugs, etc. Now don’t get me wrong, the beats were still there, inspiring some great artists later on down the road.  

I most definitely like the old school better, for the artistic way they rose above their situation and were overcomers. To me, today’s Hip Hop tells more of a story from the artists’ struggle and how they rose above hardship. This gives many an inside look at the way people are treated, what is excepted, and who can be the next LL Cool J, Run DMC, Beastie Boys, etc. 

A style that’s not really new, but different has come into the light even more...Country Hip Hop (aka; Hick-hop). Many new artists are coming to the forefront, including Adam Calhoun, Ryan Upchurch, and Mesus, just to name a few. Now the older country Hip Hop artists may surprise you. Kid Rock “Cowboy”, Cowboy Troy, and Nelly are just the tip of the iceberg. Country Rap really got its start in the early ‘80s.  

Hip Hop flows over into all other genres, including rock, country, pop, metal, and Christian. Christian Hip Hop has really taken off within the last 15 years, especially Toby Mac, Lecrae, and Da’ T.R.U.T.H., for starters. Some famous rappers are changing their lives and coming over to Christian rap. Kayne West has been the most notable. Kayne announced that he wanted to start rapping for Jesus. This is a change in which many people were very cautious, and did not believe Kayne would do such a thing. Now many people are listening and have more respect for his decision.  

In this era or style of Hip Hop, I see more battle rap styles or battle beef going on. Things tend to get very personal towards each other. One artist that many tend to shy away from is none other than the G.O.A.T. himself, Eminem. Marshall Mathers has cut careers short, because of his wordplay and his manipulation of words. That is not to say that others are bad at rap battling, Eminem is just really great at how he deconstructs whoever is in his sight. As Mathers has stated about those who helped shape his career, today Eminem is helping shape careers.  

Now as far as where I would like to aim my focus, that would be more towards the Country Hip Hop. I would like to see this style of rap more in the spotlight showcasing its artists. Many styles of Country Hip Hop (Hick-hop) are starting to appear but for the most part, many stay close to their roots. Country Hip hop has gained quite a following in the last two or three years. I believe this will only grow and many understand that in Country Hip Hop, life can be just as tough. Drinking, drugs, and much of the other things in Hip Hop do not just affect the inner cities. Yes, most Country Hip Hop artists are country folks. However, that does not mean they just listen to country music. Many have been influenced by some of the same artists such as Eminem, LL Cool J, 50cent, and many more.  

If you have not had the chance or even thought about listening to Country Hip Hop, do so now. You may find that you have quite a lot in common with these artists. Again, just to name a few; check out Adam Calhoun, Ryan Upchurch, or Mesus (just off the top of my head). Yes, they do sound country, because they do not live in the big cities. Open up your mind, listen to the words, and the beat. You will find yourself very impressed and wanting to hear more. However, do not just listen to one song, listen to multiple then form your opinion. Now come on back Y’all, you’re always welcome.

02/02/2020

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